Please take a look at Articles on self-defense/conflict/violence for introductions to the references found in the bibliography page.

Please take a look at my bibliography if you do not see a proper reference to a post.

Please take a look at my Notable Quotes

Hey, Attention on Deck!

Hey, NOTHING here is PERSONAL, get over it - Teach Me and I will Learn!


When you begin to feel like you are a tough guy, a warrior, a master of the martial arts or that you have lived a tough life, just take a moment and get some perspective with the following:


I've stopped knives that were coming to disembowel me

I've clawed for my gun while bullets ripped past me

I've dodged as someone tried to put an ax in my skull

I've fought screaming steel and left rubber on the road to avoid death

I've clawed broken glass out of my body after their opening attack failed

I've spit blood and body parts and broke strangle holds before gouging eyes

I've charged into fires, fought through blizzards and run from tornados

I've survived being hunted by gangs, killers and contract killers

The streets were my home, I hunted in the night and was hunted in turn


Please don't brag to me that you're a survivor because someone hit you. And don't tell me how 'tough' you are because of your training. As much as I've been through I know people who have survived much, much worse. - Marc MacYoung

WARNING, CAVEAT AND NOTE

The postings on this blog are my interpretation of readings, studies and experiences therefore errors and omissions are mine and mine alone. The content surrounding the extracts of books, see bibliography on this blog site, are also mine and mine alone therefore errors and omissions are also mine and mine alone and therefore why I highly recommended one read, study, research and fact find the material for clarity. My effort here is self-clarity toward a fuller understanding of the subject matter. See the bibliography for information on the books. Please make note that this article/post is my personal analysis of the subject and the information used was chosen or picked by me. It is not an analysis piece because it lacks complete and comprehensive research, it was not adequately and completely investigated and it is not balanced, i.e., it is my personal view without the views of others including subject experts, etc. Look at this as “Infotainment rather then expert research.” This is an opinion/editorial article/post meant to persuade the reader to think, decide and accept or reject my premise. It is an attempt to cause change or reinforce attitudes, beliefs and values as they apply to martial arts and/or self-defense. It is merely a commentary on the subject in the particular article presented.


Note: I will endevor to provide a bibliography and italicize any direct quotes from the materials I use for this blog. If there are mistakes, errors, and/or omissions, I take full responsibility for them as they are mine and mine alone. If you find any mistakes, errors, and/or omissions please comment and let me know along with the correct information and/or sources.



“What you are reading right now is a blog. It’s written and posted by me, because I want to. I get no financial remuneration for writing it. I don’t have to meet anyone’s criteria in order to post it. Not only I don’t have an employer or publisher, but I’m not even constrained by having to please an audience. If people won’t like it, they won’t read it, but I won’t lose anything by it. Provided I don’t break any laws (libel, incitement to violence, etc.), I can post whatever I want. This means that I can write openly and honestly, however controversial my opinions may be. It also means that I could write total bullshit; there is no quality control. I could be biased. I could be insane. I could be trolling. … not all sources are equivalent, and all sources have their pros and cons. These needs to be taken into account when evaluating information, and all information should be evaluated. - God’s Bastard, Sourcing Sources (this applies to this and other blogs by me as well; if you follow the idea's, advice or information you are on your own, don't come crying to me, it is all on you do do the work to make sure it works for you!)



“You should prepare yourself to dedicate at least five or six years to your training and practice to understand the philosophy and physiokinetics of martial arts and karate so that you can understand the true spirit of everything and dedicate your mind, body and spirit to the discipline of the art.” - cejames (note: you are on your own, make sure you get expert hands-on guidance in all things martial and self-defense)



“All I say is by way of discourse, and nothing by way of advice. I should not speak so boldly if it were my due to be believed.” - Montaigne


I am not a leading authority on any one discipline that I write about and teach, it is my hope and wish that with all the subjects I have studied it provides me an advantage point that I offer in as clear and cohesive writings as possible in introducing the matters in my materials. I hope to serve as one who inspires direction in the practitioner so they can go on to discover greater teachers and professionals that will build on this fundamental foundation. Find the authorities and synthesize a wholehearted and holistic concept, perception and belief that will not drive your practices but rather inspire them to evolve, grow and prosper. My efforts are born of those who are more experienced and knowledgable than I. I hope you find that path! See the bibliography I provide for an initial list of experts, professionals and masters of the subjects.

๐Ÿ‡บ๐Ÿ‡ธThe American Flag๐Ÿ‡บ๐Ÿ‡ธ

Origins, Symbolic Meaning, and History


A conversational historical essay


Thirteen stripes arise
Stars gather in a blue field
One nation takes form


Cloth moves in dawn wind
Memory, promise, and grief
Still the colors speak


Historical note: Some cherished flag traditions—especially the familiar Betsy Ross story—cannot be proved from surviving contemporary records. This article distinguishes documented history from later civic legend.

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Introduction: More Than a Piece of Cloth

The American flag is at once wonderfully simple and remarkably complicated. At a glance, it is a rectangle of red and white stripes with white stars on a blue field. Yet Americans have carried it into battle, draped it over the coffins of veterans, raised it after disasters, displayed it in protest, saluted it at ballparks, and placed it on the Moon. It can communicate celebration, mourning, unity, defiance, sacrifice, or criticism without speaking a word.


That range of meanings did not appear all at once. The flag grew with the nation and acquired emotional weight through war, political conflict, immigration, civic ritual, social movements, and ordinary family memory. Its history is therefore not merely the history of a design. It is the history of Americans arguing about what their country is, remembering what it has cost, and imagining what it ought to become.


Before the Stars and Stripes

Flags served practical purposes long before the United States existed. On ships and battlefields they identified allegiance, helped commanders locate units, and distinguished friend from enemy. Britain’s North American colonies used British ensigns, local militia colors, and many revolutionary banners. The familiar imagery of the era included rattlesnakes, liberty trees, pine trees, crescents, and mottos such as “Don’t Tread on Me.” There was no single American flag at the opening of the Revolution.


One important predecessor was the Grand Union Flag, also called the Continental Colors. It combined thirteen alternating red and white stripes with the British Union emblem in the canton. American forces raised it during the early Revolution, when many colonists were still defining whether they sought reconciliation, constitutional rights within the empire, or complete independence. The design visually captured that unsettled moment: thirteen colonies acting together while still carrying a British connection.


The Flag Resolution of 1777

On June 14, 1777, the Second Continental Congress adopted the short resolution that became the legal starting point of the national flag: the flag would have thirteen alternating red and white stripes, and its union would contain thirteen white stars in a blue field, “representing a new constellation.” The resolution established the essential vocabulary of the design, but it did not specify the flag’s proportions, the arrangement of the stars, the exact shades of color, or even how many points each star should have.


That lack of detail explains why early American flags varied. Stars appeared in circles, rows, arches, and other patterns; some had six or eight points. This variety was not necessarily careless. The young republic had declared a recognizable national idea without yet imposing an industrial design standard. The phrase “new constellation” was especially powerful. Thirteen separate political communities were presented as distinct stars joined in a new union rather than as subordinate parts of an old empire.


Who Designed the First Flag? Betsy Ross, Francis Hopkinson, and Uncertainty

The popular story says that George Washington and other leaders visited Philadelphia upholsterer Betsy Ross, showed her a design, and asked her to make the first flag. According to family tradition, she recommended five-pointed stars because they could be cut efficiently. Ross was a real upholsterer and flag maker, and she did work for the government. What is missing is contemporary documentary evidence proving that she designed or sewed the first official Stars and Stripes.


The story became widely known nearly a century later, after Ross’s grandson William Canby presented the family account in 1870. The Library of Congress notes that it remains unknown whether Ross made the first flag and that many historians regard the familiar version as a myth. Calling it a myth does not mean Ross was insignificant; it means a cherished tradition has outrun the surviving evidence.


Francis Hopkinson, a New Jersey delegate and signer of the Declaration of Independence, has a stronger documentary claim: he later asked Congress for compensation for designing the flag and other national devices. Congress did not pay him, noting both his government salary and other contributors. The fairest conclusion is therefore collaborative—the evidence does not identify one unquestioned creator.


What the Design Symbolizes

  • The thirteen stripes represent the thirteen original colonies
  • The stars represent the states, equal in visual form and gathered in a common union
  • The blue canton is therefore not just a background; it is the field that holds the political constellation together. 
    • When a new state enters the Union, a star is added on the following Fourth of July. The stripes remain thirteen, preserving the founding generation while the stars record national growth.


Today, federal public information commonly explains red as valor and braverywhite as purity and innocence, and blue as vigilance, perseverance, and justice. There is an important historical nuance: the Flag Resolution of 1777 did not assign those meanings to the colors. Similar language came from Charles Thomson’s 1782 explanation of the colors of the Great Seal of the United States and was later associated with the flag. These meanings are now deeply established, but they are best understood as inherited civic interpretation rather than wording attached to the first flag law.


  • The arrangement also conveys a larger American ideal: unity without complete sameness
  • Every star is separate, yet no star is placed above another. 
  • The stripes are repeated, disciplined, and continuous. 
    • That reading fits the national motto E pluribus unum—out of many, one—even though the motto does not appear on the flag itself.


A Flag That Grew with the Nation

The original flag had thirteen stars and thirteen stripes. After Vermont and Kentucky joined the Union, Congress authorized fifteen stars and fifteen stripes in 1794. That was the flag flying over Fort McHenry during the War of 1812. It soon became obvious that adding both a star and a stripe for every state would make the design unwieldy.


Congress solved the problem in 1818. The flag returned permanently to thirteen stripes, while the number of stars would match the number of states. New stars would be added on July 4 following a state’s admission. This created an elegant balance between permanence and change: the stripes remember the founding colonies; the stars keep the national map current.


For much of the nineteenth century, the exact star pattern was not nationally standardized. Manufacturers and communities produced many arrangements. 


  • President William Howard Taft’s 1912 executive order established proportions and a prescribed star arrangement for the 48-star flag. 
  • President Dwight D. Eisenhower issued standards for the 49- and 50-star designs as Alaska and Hawaii entered the Union. 


The present 50-star flag officially began on July 4, 1960, and has become the longest-serving design in American history.


Fort McHenry and the Birth of a National Icon

The flag’s emotional status changed dramatically during the War of 1812. In September 1814, British forces bombarded Fort McHenry in Baltimore Harbor. Major George Armistead had commissioned an enormous garrison flag, made by Baltimore flag maker Mary Pickersgill with help from members of her household, including Grace Wisher, a young African American apprentice. At dawn on September 14, the large flag flying above the fort signaled that the Americans had held their position.


Francis Scott Key saw the flag from a ship and wrote “Defence of Fort M’Henry,” the poem later set to music as “The Star-Spangled Banner.” The flag ceased to be only a marker of governmental sovereignty. It became a dramatic answer to a question: had the young nation survived the night? The Smithsonian preserves the surviving Fort McHenry flag, whose worn fabric embodies both the historical event and generations of public memory. The song became the national anthem in 1931.


Civil War, Reunion, and National Loyalty

During the Civil War, the United States flag became inseparable from the preservation of the Union. Union regiments treated their colors as rallying points in battle; color bearers faced extraordinary danger because flags were visible and strategically important. A captured flag signified defeat, while saving one could become an act of celebrated courage.


The Civil War also exposes the flag’s moral complexity. The Union fought first to suppress secession, and emancipation became a central war aim. For enslaved and newly freed people, the flag could represent a promise of freedom that the nation had long denied them. After the war, the flag was used in reunion ceremonies and patriotic education, but national reconciliation often came at the cost of ignoring racial terror and the abandonment of Reconstruction. Thus the flag’s history includes both liberation and unfinished obligation.


The Flag in Military Service and National Mourning

For service members, the flag is not an abstract decoration. It represents lawful national authority, the people served, comrades lost, and an oath to support and defend the Constitution. Units have carried national colors in war, and military funerals place the flag directly into the rituals of grief. A burial flag is folded and presented to the next of kin as a token of the nation’s gratitude. For veterans and military families, that moment often gives the flag a meaning too personal to be captured by a textbook definition.


The flag at half-staff performs a related public function. It makes mourning visible and shared. After assassinations, military deaths, terrorist attacks, and national tragedies, the lowered flag says that the civic body has suffered a loss. The practice turns public space into a place of remembrance.


From Flag Day to the Flag Code

Flag Day commemorates the June 14, 1777 resolution. Local observances developed in the nineteenth century, and Wisconsin teacher Bernard J. Cigrand became an energetic advocate for a national observance. President Woodrow Wilson issued a proclamation in 1916 calling for nationwide recognition. In 1949, Congress designated June 14 as National Flag Day, although it is an observance rather than a general federal holiday.


Concern about inconsistent customs led civic organizations to formulate display rules in the early twentieth century. Congress later codified them in what is commonly called the U.S. Flag Code. The code addresses such matters as raising the flag briskly, lowering it ceremoniously, displaying the union uppermost, handling a worn flag, and never allowing the flag to touch the ground. Most provisions directed at private citizens are advisory traditions rather than criminally enforced commands. Their real force is cultural: they offer a shared language of respect.


Protest, Free Speech, and Competing Meanings

Because the flag is powerful, people use it both to affirm the nation and to challenge it. Civil-rights marchers carried it to insist that constitutional promises belonged to Black Americans. Suffragists, labor activists, immigrants, antiwar demonstrators, and many others have placed their claims within American symbolism. At other times protesters have altered, inverted, or burned the flag to condemn government policy or national injustice.


The Supreme Court held in Texas v. Johnson (1989) that burning a flag as political protest is expression protected by the First Amendment. 


For many Americans—especially veterans and families of the fallen—such conduct is profoundly offensive. Yet the constitutional rule embodies a difficult principle: the government cannot preserve the flag’s meaning by forcing citizens to express reverence. The freedom represented by the symbol includes the freedom to criticize the nation beneath it.


A Counter-Argument: Does Reverence Become Mythmaking?

A reasonable counter-argument says Americans sometimes treat the flag too reverently. Intense symbolism can blur the difference between patriotism and unquestioning nationalism. Ceremonies may substitute emotion for knowledge; flag display may become a test of loyalty; and heroic stories such as the simplified Betsy Ross account may crowd out ambiguity. Critics also point out that the flag has flown during slavery, Indigenous dispossession, segregation, unjust wars, and the exclusion of people who were denied full citizenship. From this perspective, reverence can conceal the distance between national ideals and national conduct.


That criticism deserves to be heard, but it need not lead to rejecting the flag. A mature symbol can hold judgment as well as pride. The flag can represent the Constitution and the aspiration to equal liberty while reminding citizens how often the nation has failed to meet those standards. Respect is strongest when it is informed, voluntary, and honest. Patriotism is not the claim that the country has always been right; it is a commitment to preserve what is worthy, confront what is wrong, and carry the unfinished promise forward.


Conclusion: A Living National Symbol

The American flag began as a practical revolutionary emblem whose designer cannot be identified with certainty. It developed through legislation, craftsmanship, war, expansion, civic ritual, protest, and remembrance. Its stripes preserve the founding colonies; its stars record a union that grew across a continent; and its colors have accumulated meanings of courage, innocence, vigilance, perseverance, and justice.

Yet its deepest meaning is not fixed by cloth or law. Each generation encounters the flag through its own experiences. One person sees a veteran’s coffin; another sees a naturalization ceremony; another remembers a civil-rights march, a disaster, a homecoming, or a protest. The flag endures because it can carry all of these memories at once. It is both inheritance and challenge: a statement of national belonging and a continuing question about whether the republic will live up to the ideals displayed beneath its stars.


Bibliography

Continental Congress. “Flag Resolution.” Journals of the Continental Congress, June 14, 1777. Summarized by the National Archives, https://prologue.blogs.archives.gov/2016/06/14/flag-day-past-and-present/.

Library of Congress. “Symbols of the United States.” https://www.loc.gov/classroom-materials/symbols-of-the-united-states/.

Smithsonian Institution. “Facts about the United States Flag.” https://www.si.edu/spotlight/flag-day/flag-facts.

Smithsonian Institution. “Facts about the Star-Spangled Banner.” https://www.si.edu/spotlight/flag-day/banner-facts.

Smithsonian National Museum of American History. “The Star-Spangled Banner: The Flag That Inspired the National Anthem.” https://amhistory.si.edu/starspangledbanner/.

Smithsonian National Museum of American History. “The African American Girl Who Helped Make the Star-Spangled Banner.” https://americanhistory.si.edu/explore/stories/african-american-girl-who-helped-make-star-spangled-banner.

National Archives. “The Father of Flag Day.” June 12, 2014. https://prologue.blogs.archives.gov/2014/06/12/the-father-of-flag-day/.

United States Government. “The American Flag and Other National Symbols.” USA.gov. https://www.usa.gov/flag.

United States Code, Title 4, Chapter 1, §§ 1–10 (Flag Code).

Texas v. Johnson, 491 U.S. 397 (1989).

Cooper, Grace Rogers. Thirteen-Star Flags: Keys to Identification. Washington, DC: Smithsonian Institution Press, 1973.

Furlong, William Rea, and Byron McCandless. So Proudly We Hail: The History of the United States Flag. Washington, DC: Smithsonian Institution Press, 1981.

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